"In seven minutes." Fleda by this time desired immensely to keep his companion, but she saw she could do so only at the cost of provoking on his part a further exhibition of the sheltering attitude, which he exaggerated precisely because it was the first thing, since he had begun to "like" her, that he had been able frankly to do for her. It was not in her interest that Mrs. Brigstock should be more struck than she already was with that benevolence. "There may be things you know that I don't," she presently said to her, with a smile. "But I've a sort of sense that you're laboring under some great mistake."!

Mrs. Gereth said nothing for a minute. "You're prodigious in your choice of terms!" she then simply ejaculated. "How should I have? I'm not in their counsels."

"I should think you might, with half your things here! It's Poynton itself—almost. Good-bye, Mr. Gereth," Fleda added. Her intention had naturally been that the neat young woman, opening the front door, should remain to close it on the departing guest. That functionary, however, had acutely vanished behind a stiff flap of green baize which Mrs. Gereth had not yet had time to abolish. Fleda put out her hand, but Owen turned away—he couldn't find his umbrella. She passed into the open air—she was determined to get him out; and in a moment he joined her in the little plastered portico which had small resemblance to any feature of Poynton. It was, as Mrs. Gereth had said, like the portico of a house in Brompton. Wandering through clear chambers where the general effect made preferences almost as impossible as if they had been shocks, pausing at open doors where vistas were long and bland, she would, even if she had not already known, have discovered for herself that Poynton was the record of a life. It was written in great syllables of color and form, the tongues of other countries and the hands of rare artists. It was all France and Italy, with their ages composed to rest. For England you looked out of old windows—it was England that was the wide embrace. While outside, on the low terraces, she contradicted gardeners and refined on nature, Mrs. Gereth left her guest to finger fondly the brasses that Louis Quinze might have thumbed, to sit with Venetian velvets just held in a loving palm, to hang over cases of enamels and pass and repass before cabinets. There were not many pictures—the panels and the stuffs were themselves the picture; and in all the great wainscoted house there was not an inch of pasted paper. What struck Fleda most in it was the high pride of her friend's taste, a fine arrogance, a sense of style which, however amused and amusing, never compromised nor stooped. She felt indeed, as this lady had intimated to her that she would, both a respect and a compassion that she had not known before; the vision of the coming surrender filled her with an equal pain. To give it all up, to die to it—that thought ached in her breast. She herself could imagine clinging there with a closeness separate from dignity. To have created such a place was to have had dignity enough; when there was a question of defending it the fiercest attitude was the right one. After so intense a taking of possession she too was to give it up; for she reflected that if Mrs. Gereth's remaining there would have offered her a sort of future—stretching away in safe years on the other side of a gulf—the advent of the others could only be, by the same law, a great vague menace, the ruffling of a still water. Such were the emotions of a hungry girl whose sensibility was almost as great as her opportunities for comparison had been small. The museums had done something for her, but nature had done more. "You won't wait for what we may hear?" Mrs. Gereth asked.